Artist: Florentine School
Date: 1340
Dimensions: 56 x 55.5 cm
Materials: Tempera and gold on poplar panel
Adopted By: The Ohio Chapter
NORMAL PRIORITY PROJECT
This panel, painted on both sides, is one of the most intriguing and mysterious pieces in the medieval collection. Its iconography is highly unusual in that it appears to depict the tale of a false prophet, divided into three scenes spanning two registers. The protagonist is a man wearing a purple robe who lacks the nimbus of sanctity. First, he is shown prostrate on his knees before a court of wise elders and armed men. Next, he prays with his hands folded. Below, accompanied by guards, he engages in a dialogue with two figures before being thrown into the fire. Instead, the reverse of the panel depicts an allegorical figure of unclear interpretation, probably created in continuity with the scenes painted on the front. The iconographic source of the work and its date will be specified and verified as studies make progress. The function of the artifact, which might be a birthing table, will also be investigated.
There are cracks and grout fall on the neutral-tinted edge of the support, which is probably where the boards were joined. The painted surface is mostly stable, but the verso could not be verified. The paint appears slightly oxidized, and older cracks are visible.
Support:
Painted and gilded surfaces on the recto and verso:
Adopted By:
The Ohio ChapterInventory N°: 40223
Artist: Florentine School
Date: 1340
Dimensions: 56 x 55.5 cm
Materials: Tempera and gold on poplar panel
Laboratories:
Painting & WoodWishbook year: 2026

Adopted by: The Ohio Chapter
Inventory: 40223
Artist: Florentine School
Date: 1340
Materials: Tempera and gold on poplar panel
Dimensions: 56 x 55.5 cm
Laboratory: Painting & Wood
Wishbook year: 2026
NORMAL PRIORITY PROJECT
This panel, painted on both sides, is one of the most intriguing and mysterious pieces in the medieval collection. Its iconography is highly unusual in that it appears to depict the tale of a false prophet, divided into three scenes spanning two registers. The protagonist is a man wearing a purple robe who lacks the nimbus of sanctity. First, he is shown prostrate on his knees before a court of wise elders and armed men. Next, he prays with his hands folded. Below, accompanied by guards, he engages in a dialogue with two figures before being thrown into the fire. Instead, the reverse of the panel depicts an allegorical figure of unclear interpretation, probably created in continuity with the scenes painted on the front. The iconographic source of the work and its date will be specified and verified as studies make progress. The function of the artifact, which might be a birthing table, will also be investigated.
There are cracks and grout fall on the neutral-tinted edge of the support, which is probably where the boards were joined. The painted surface is mostly stable, but the verso could not be verified. The paint appears slightly oxidized, and older cracks are visible.
Support:
Painted and gilded surfaces on the recto and verso:
© 2026 Patrons of the Arts
in the Vatican Museums
Vatican Museums V-00120,
Vatican City State (Europe)