Artist: Pompeo Batoni
Date: c. 1724
Classification: Painting
Dimensions: 228 x 170 cm
Materials: Oil on canvas enclosed within gilded stucco frames
Adopted By: The New York Chapter
Trained by some of the finest masters of his time, Pompeo Batoni’s work is a rich blend of classicism and baroque influences. His expertise in portraiture and his ability to evoke deep emotions earned him commissions from various European courts, making him one of the most sought-after artists of the 18th century. Influenced by Correggio’s softness, the painting depicts the Archangel Gabriel announcing to the Virgin Mary that she will conceive Jesus. Mary’s serene and humble expression, Gabriel’s dynamic pose, and symbolic elements such as the lily and the book emphasize the divine encounter. Batoni’s use of light and color enhances the ethereal quality of the scene, making The Annunciation a remarkable example of 18th century Italian religious art.
The surface exhibits alterations caused by oxidized varnishes, overpainting, and atmospheric deposits. Water infiltration and runoff have caused localized cohesion and adhesion problems in the paint layers. There are small tears in the textile support resulting from accidental bumps and impacts.
Adopted By:
The New York ChapterArtist: Pompeo Batoni
Date: c. 1724
Dimensions: 228 x 170 cm
Materials: Oil on canvas enclosed within gilded stucco frames
Wishbook year: 2025

Adopted by: The New York Chapter
Artist: Pompeo Batoni
Date: c. 1724
Classification: Painting
Materials: Oil on canvas enclosed within gilded stucco frames
Dimensions: 228 x 170 cm
Wishbook year: 2025
Trained by some of the finest masters of his time, Pompeo Batoni’s work is a rich blend of classicism and baroque influences. His expertise in portraiture and his ability to evoke deep emotions earned him commissions from various European courts, making him one of the most sought-after artists of the 18th century. Influenced by Correggio’s softness, the painting depicts the Archangel Gabriel announcing to the Virgin Mary that she will conceive Jesus. Mary’s serene and humble expression, Gabriel’s dynamic pose, and symbolic elements such as the lily and the book emphasize the divine encounter. Batoni’s use of light and color enhances the ethereal quality of the scene, making The Annunciation a remarkable example of 18th century Italian religious art.
The surface exhibits alterations caused by oxidized varnishes, overpainting, and atmospheric deposits. Water infiltration and runoff have caused localized cohesion and adhesion problems in the paint layers. There are small tears in the textile support resulting from accidental bumps and impacts.
© 2026 Patrons of the Arts
in the Vatican Museums
Vatican Museums V-00120,
Vatican City State (Europe)